Download e-book for iPad: Afterimage Vol. 38 No. 2 by Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen

By Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen Longmire, Christine Ross, Alisia G. Chase,

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Each While "Trauma and the Uncanny" most closely aligns with the traditional definition of "haunted," this section includes some original work. Zoe Leonard's 1990 black-and-white photograph of a wax anatomical female doll with exposed internal organs is boldly disturbing. Why is she wearing pearls? Why does she have the vacant expression of a sex doll? Anthony Goicolea's manic video Jailbiter (2002) elicits a visceral reaction in the viewer. Covered in saliva and thousands of fingernail clippings, the young protagonist, played by the artist, appears possessed as he obsessively bites his nails.

In the words of'collaborators Attyah and Bachtan: 'IT'li' initral and prjojection tag back and forth between tile abstract and thte concrete, combining tile institutional, 32 militaristic, domestic, ethical, psychological and embodied aspects fitviolence. Shiliing (nervously) from tihe state toiithe body and back, the project strUggles with why political violence insti(litioits support o," ignore it, anidt advtcates fur ieniingt'ul individual action despite persists, interrogates Which political contradiction.

FlTe patients were just its iurious aboutt tne as I was ab)out them. My patient suitcases at Bolivar State Hospital in Tennessee, stacked dirty dishes in the kitchen of Concord State Hospital in New Hampshire, lie related to eath persoit ott his or her own lesel, no iattitr how strange it may have seemed to observers. 'Ihat experience left an indelible th iettitn le insanity. In t ilcg'e, ''lifouglh devoid of hunian presence, human traces remain in the fitm of shelves displaying brightly colored patient toothbrushes at Hudson River State Hospital in New York, disheveled steplift htr never spoke to them as if they were ill.

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